Monet enjoyed limited success in these early years, with a handful of landscapes, seascapes, and portraits accepted for exhibition at the annual Salons of the 1860s. His classmates included Auguste Renoir, Frédéric Bazille, and other future Impressionists. When he was twenty-two, Monet joined the Paris studio of the academic history painter Charles Gleyre. Raised in Normandy, Monet was introduced to plein-air painting by Eugène Boudin ( 2003.20.2), known for paintings of the resorts that dotted the region’s Channel coast, and subsequently studied informally with the Dutch landscapist Johan Jongkind (1819–1891). He led the way to twentieth-century modernism by developing a unique style that strove to capture on canvas the very act of perceiving nature. Throughout his long career, Monet consistently depicted the landscape and leisure activities of Paris and its environs as well as the Normandy coast. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA).Claude Monet was a key figure in the Impressionist movement that transformed French painting in the second half of the nineteenth century. Initially used to describe and deprecate a movement, the term Impressionism "was immediately taken up by all parties" to describe the style, and Monet’s Impression, Sunrise considered to encapsulate the start of the movement and its name. In turn, impression came to describe the movement as a whole. By the 1860s, "impression" was used by transference to describe a painting which relayed such an effect. In critic Louis Leroy's review of the 1874 exhibition, "The Exhibition of the Impressionists" for the newspaper Le Charivari, he used "Impressionism" to describe the new style of work displayed, which he said was typified by Monet’s painting of the same name.īefore the 1860s and the debut of Impression, Sunrise, the term "impressionism" was originally used to describe the effect of a natural scene on a painter, and the effect of a painting on the viewer. Both associated with the school, Daubigny and Manet had been known to use the term to describe their own works. It had been used for some time to describe the effect of paintings from the Barbizon school. While the title of the painting seemed to be chosen in haste for the catalogue, the term "Impressionism" was not new. Monet claimed that he titled the painting Impression, Sunrise due to his hazy painting style in his depiction of the subject: "They asked me for a title for the catalogue, it couldn't really be taken for a view of Le Havre, and I said: 'Put Impression.'" In addition to this explanation for the title of the work, art historian Paul Smith claims that Monet might have named the painting Impression to excuse his painting from accusations of being unfinished or lacking descriptive detail, but Monet received these criticisms regardless of the title. It was recovered and returned to the museum in 1990, and put back on display in 1991. In 1985 the painting was stolen from the Musée Marmottan Monet by Philippe Jamin and Youssef Khimoun. Inc." Among thirty participants, the exhibition was led by Monet, Edgar Degas, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley, and showed over two hundred works that were seen by about 4,000 people, including some rather unsympathetic critics. Impression, Sunrise became the most famous in the series after being debuted in April 1874 in Paris at an exhibition by the group "Painters, Sculptors, Engravers etc. The six painted canvases depict the port "during dawn, day, dusk, and dark and from varying viewpoints, some from the water itself and others from a hotel room looking down over the port". Monet visited his hometown of Le Havre in the Northwest of France in 1872 and proceeded to create a series of works depicting the port of Le Havre. Impression, Sunrise is displayed at the Musée Marmottan Monet in Paris. Impression, Sunrise depicts the port of Le Havre, Monet's hometown, and is his most famous painting of the harbor. Shown at what would later be known as the "Exhibition of the Impressionists" in April 1874, the painting is attributed to giving rise to the name of the Impressionist movement. Impression, Sunrise (French: Impression, soleil levant) is a painting by Claude Monet.
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